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Gabriela also works running Theater Workshops since 2009 mixing tools from plastic art, photography and music.
Transmatria
Radialsystem
VR recording for the performances in the frame of the Time Body & Space Residence Oct 2022
TransMatria VR & LIVE Performance 2, 3 & 4 Dec - Free admisson!
Five malambo apprentices immerse themselves in an exchange with a specialist in the discipline, Gabriela Valdivia, and approach the rhythms of zapateos, bombo leguero and boleadoras, at a crossroads between contemporary and traditional dance. The dialogue extends to ways of perceiving folklore that go beyond its colonial patriarchal traits and move away from Western aesthetics.
Inspired by the manifesto of Latinofuturism, Transmatria reveals itself as a trans-spatial-temporal and trans-disciplinary project. Dissident gauchx artists from Argentina and dancers from Berlin come into contact in a VR exhibition of three videos filmed with 360 cameras. The shootings lead us to interact with a 3D replica of the Wallmapu deserts in a format between performance and documentary. That’s where Rocío Marano travelled to train with Rulo Emanuel Hernández, Argentine champion of the discipline in 2017. The school is located in Cutral Co, a city characterized by political struggles against oil extractivism.
CREDITS:
Idea, choreography, dance: Rocio Marano
Dancers: Gabriela Valdivia, Angela Muñoz, Gabriela Turano, Valentina Wong, Matilde Amigo, Rocio Marano
Electronic Music Composition: Tatiana Heuman
Costumes: Federico Protto
VR coding: Lisa Kaschubat
3D design: Carolina Ovando
VR texts: Lea Marie Uria
Production Assistance: Laura Basombrio
Artists: Hijas de su madre, Legon Queen, Rulo Hernandez, Les Nianduses
Production Management: Marc Philipps
Five malambo apprentices immerse themselves in an exchange with a specialist in the discipline, Gabriela Valdivia, and approach the rhythms of zapateos, bombo leguero and boleadoras, at a crossroads between contemporary and traditional dance. The dialogue extends to ways of perceiving folklore that go beyond its colonial patriarchal traits and move away from Western aesthetics.
Inspired by the manifesto of Latinofuturism, Transmatria reveals itself as a trans-spatial-temporal and trans-disciplinary project. Dissident gauchx artists from Argentina and dancers from Berlin come into contact in a VR exhibition of three videos filmed with 360 cameras. The shootings lead us to interact with a 3D replica of the Wallmapu deserts in a format between performance and documentary. That’s where Rocío Marano travelled to train with Rulo Emanuel Hernández, Argentine champion of the discipline in 2017. The school is located in Cutral Co, a city characterized by political struggles against oil extractivism.
CREDITS:
Idea, choreography, dance: Rocio Marano
Dancers: Gabriela Valdivia, Angela Muñoz, Gabriela Turano, Valentina Wong, Matilde Amigo, Rocio Marano
Electronic Music Composition: Tatiana Heuman
Costumes: Federico Protto
VR coding: Lisa Kaschubat
3D design: Carolina Ovando
VR texts: Lea Marie Uria
Production Assistance: Laura Basombrio
Artists: Hijas de su madre, Legon Queen, Rulo Hernandez, Les Nianduses
Production Management: Marc Philipps
BEAUTIFUL a performing arts research supported by Fonds Darstellende Künste with funds from the Federal Government Commissioner
for Culture and the Media within the program NEUSTART KULTUR. Takeheart
BEAUTIFUL
AIlin Formia & Federico Schwindt de Vöcks at Tatwerk Performative Forschung 2022
NON FICTION TIME
Non fiction time, part of the impact generated by new forms of communication in the performing arts and how, even in distance, we see the encounter with the other possible. But if the theater is a collective ritual, can acting survive the current context? How is the perception of fiction and reality altered when it is traversed by virtuality?
Merging and decomposing the languages of film, documentary and theater, two actresses, one in Buenos Aires and the other in Berlin, show their attempts to generate live performance through the screen and the difficulties involved in a remote creative process , at the same time that they debate about the approach to action when there is no contact or modification that the physical presence of another entails. How to make a stage situation live without the contact of bodies?
Concept, dramaturgy and general direction: Paula Baldini / Gabriela Turano
Performers: Paula Baldini (Buenos Aires) Gabriela Turano (Berlin)
Sound design: Ignacio Villa (Berlin)
General technical assistance and on stage: Tomás Buccella (Buenos Aires)
Video production “Plänterwald” Idea: Paula Baldini / Gabriela Turano (Buenos Aires - Berlin)
Performer: Gabriela Turano (Berlin)
Director and camera: Ian Kornfeld (Berlin)
Sound: Ignacio Villa (Berlin)
Costume design and production of hand knitted costume: upsidogi sun sea (Berlin)
Text: Lady Macbeth Act I, fifth scene, Macbeth. William Shakespeare
Remote video editing: Paula Baldini (Buenos Aires)
Centro Cultural San Martin SALA A October 2021
Merging and decomposing the languages of film, documentary and theater, two actresses, one in Buenos Aires and the other in Berlin, show their attempts to generate live performance through the screen and the difficulties involved in a remote creative process , at the same time that they debate about the approach to action when there is no contact or modification that the physical presence of another entails. How to make a stage situation live without the contact of bodies?
Concept, dramaturgy and general direction: Paula Baldini / Gabriela Turano
Performers: Paula Baldini (Buenos Aires) Gabriela Turano (Berlin)
Sound design: Ignacio Villa (Berlin)
General technical assistance and on stage: Tomás Buccella (Buenos Aires)
Video production “Plänterwald” Idea: Paula Baldini / Gabriela Turano (Buenos Aires - Berlin)
Performer: Gabriela Turano (Berlin)
Director and camera: Ian Kornfeld (Berlin)
Sound: Ignacio Villa (Berlin)
Costume design and production of hand knitted costume: upsidogi sun sea (Berlin)
Text: Lady Macbeth Act I, fifth scene, Macbeth. William Shakespeare
Remote video editing: Paula Baldini (Buenos Aires)
Centro Cultural San Martin SALA A October 2021
EPISODIO
In a multi-language episodic recount, Federico Vöcks de Schwindt and his Ensemble explore simultaneously with lightness and dark humor, a world in which each step its characters take is influenced and exploited by the market.
TD BERLIN 2021
Artistic director / staging:Federico Vöcks de Schwindt
Performance: Alan Ciwan / Gabriela Turano / Emiliano Passaro / Tanja Watoro
Dramaturgy assistant: Ricardo Leandro Sarmiento
Costume / stage design: Maja Avnat
Lighting design: Wenzel Vöcks de Schwindt
Assistant director: Ailin Formia
Songs: Gabriela Turano
Berlin cooperation TATWERK | Performative research
TD BERLIN 2021
Artistic director / staging:Federico Vöcks de Schwindt
Performance: Alan Ciwan / Gabriela Turano / Emiliano Passaro / Tanja Watoro
Dramaturgy assistant: Ricardo Leandro Sarmiento
Costume / stage design: Maja Avnat
Lighting design: Wenzel Vöcks de Schwindt
Assistant director: Ailin Formia
Songs: Gabriela Turano
Berlin cooperation TATWERK | Performative research
Artes Moriendi
A performative birthday party on death.
In english, italian, spanish and german.
A group of young people in a closed room, celebrating what looks like a children’s birthday party.
They are not exactly friends, but know each other and lines of tension, power and
affection slither among them. They are waiting for someone.
As they wait, the celebration turns to a part morbid, part farcical examination of their own deaths through games, questions and accidents.
As the evening drifts, the game slowly dissolves the group, until Raquel, who they were waiting for, arrives and puts an end to the « show ».
Berlin PAF 2018
In english, italian, spanish and german.
A group of young people in a closed room, celebrating what looks like a children’s birthday party.
They are not exactly friends, but know each other and lines of tension, power and
affection slither among them. They are waiting for someone.
As they wait, the celebration turns to a part morbid, part farcical examination of their own deaths through games, questions and accidents.
As the evening drifts, the game slowly dissolves the group, until Raquel, who they were waiting for, arrives and puts an end to the « show ».
Berlin PAF 2018
HAYA
After the death of her father, Haya decides to return to the town of her childhood to recover some images of her past. You will stay at the Hotel Goitías, meet Santiago, his concierge, and venture into a magical and diffuse universe built by droppers: La Paloma ranch and the myth of the horse sisters.
Haya faces puzzles of chickens, dogs and storms that she had lived with from a very young age and now they are confusing images. But the arrival of Juan, an old friend who is following the trail to La Paloma, seems to reveal some grays from his infinite search.
Compañía Cabeza de Buey
Direction: Maria Laura Santos
Teatro del Abasto 2014-2017
Haya faces puzzles of chickens, dogs and storms that she had lived with from a very young age and now they are confusing images. But the arrival of Juan, an old friend who is following the trail to La Paloma, seems to reveal some grays from his infinite search.
Compañía Cabeza de Buey
Direction: Maria Laura Santos
Teatro del Abasto 2014-2017
ESTER
Ester is an abandoned town.
As in all towns: a post office, a library, a
water fountain, a club, a train station and roads
land that are lost in the field.
The water took almost everything and its inhabitants are no more.
Someone who used to visit him in his childhood returns with a unique
intention: to populate ESTER again
Directed by: Maria Laura Santos
Visuals: Ian Kornfeld
Kleiner Saloin Berlin-Librería Mi Casa Buenos Aires 2016-2017
As in all towns: a post office, a library, a
water fountain, a club, a train station and roads
land that are lost in the field.
The water took almost everything and its inhabitants are no more.
Someone who used to visit him in his childhood returns with a unique
intention: to populate ESTER again
Directed by: Maria Laura Santos
Visuals: Ian Kornfeld
Kleiner Saloin Berlin-Librería Mi Casa Buenos Aires 2016-2017
Ultimos remordimientos antes del olvido
Today, a Sunday, in the country, in the house where Pierre lives, which he once shared with Hélène and Paul. This could not wait, this very Sunday, everyone, their families, immediately. We must divide the goods, distribute the inheritance of a dead past on which rests the utopia of a youth. It is not that complicated if nobody complicates anything.
Version of text from Jean Luc Lagarce.
Apacheta Sala Studio Buenos Aires 2017
Version of text from Jean Luc Lagarce.
Apacheta Sala Studio Buenos Aires 2017
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